Set in the wealthy neighbourhood of Bishopscourt, Cape Town, investigative journalist Edie Hansen gets caught up in the ugly underbelly that lies beneath the picturesque beauty of the city, dragging her back to a turbulent past.

Re-join the hardy American prospectors as they go for gold as the massive ice sheet melts on Greenland, revealing immense mineral wealth in the virgin rock.

Tarzan is a series that aired on NBC from 1966 – 1968. The series portrayed Tarzan as a well-educated character, one who, tired of civilization, had returned to the jungle where he had been raised. The show retained many of the trappings of the classic movie series, including Cheeta, while excluding other elements, such as Jane, as part of the “new look” for the fabled apeman that producer Sy Weintraub had introduced in previous motion pictures starring Gordon Scott, Jock Mahoney, and Mike Henry. CBS aired repeat episodes the program during the summer of 1969.

Set in a dystopian future when women have stopped having children, “The Lottery” reveals a world staring down the barrel of impending extinction. Remarkably, 100 embryos are successfully fertilized and a national lottery is held to decide the surrogates. As conflict, control and mystery over this global crisis unfolds, the government’s interests and power begin to dominate, igniting a highly controversial debate over our fundamental and personal freedom to raise a family.

The nightly exploits of our boys and girls in blue, and their shady criminal counterparts, through an unfolding kidnapping investigation. Truth is, being a cop or a crook is nowhere near as exciting as Hollywood would have us believe. Long nights with nothing to do but watch and wait, and spin a yarn or two… or, in the case of these over-caffeinated, sleep-deprived souls, share way too much information about themselves, opine on matters far beyond their qualifications, and discuss topics that most would agree are strictly NSFW.

The series is set in a dystopian future in which Britain is under the grip of the Home Office’s Department of Public Control (PCD), a tyrannically oppressive bureaucracy riding roughshod over the population’s civil liberties. Edward Woodward plays Jim Kyle, a journalist on the last independent newspaper called The Star, who turns renegade and begins to fight the PCD covertly. The officials of the PCD, in turn, try to provide proof of Kyle’s subversive activities.

Distraught patients recently diagnosed with STIs look back on how they contracted the disease and what they could have done to prevent the transmission.

A family’s desire for a fresh start unravels when their lodger’s true identity is revealed, sparking a perilous journey to uncover dark family secrets and the cost of maternal love.

Most kids dream of being superheroes. Not Eric Needles. Eric dreams of being a sidekick. So you can imagine his elation when his favorite superhero, Maxum Man, selects Eric to be his sidekick. But things take a weird turn when, on the day that Eric is scheduled to start being a full-time sidekick, Maxum Man vanishes. The superhero’s disappearance leaves Eric responsible to convince the world that Maxum Man is still on the job, doing what a superhero does. Eric’s peers include Kitty Ko, a boy-crazy heroine who serves up stellar advice.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. As of 2011, Monsters airs on NBC Universal’s horror/suspense-themed cable channel Chiller in sporadic weekday marathons.

In a similar vein to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode of Monsters featured a different monster which the story concerned, from the animatronic puppet of a fictional children’s television program to mutated, weapon-wielding lab rats.

Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character’s conceit or greed would do him in, often with gruesome results. Adding to this was a sense of comedy often lost on horror productions which might in some instances lighten the audience’s mood but in many cases added to the overall eeriness of the production.