A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.

An R&B singer snagged by the trappings of superstardom loses his way and turns his back on his church and faith-filled beginnings. Tragedy strikes, leaving a chance for redemption in its wake. But with rebirth, first comes death.

A car wreck allows a fugitive recovery agent’s serial killer prisoner to escape into the wilderness, so she’s forced to pursue him. The other driver involved finds the agent while lost in the woods and initially, the female stranger’s presence complicates matters, but when the agent suspects her involvement wasn’t by chance, the killer intervenes, revealing they were working together as killer and cleaner. They capture the agent, but she escapes. The agent eventually manipulates and regains some control of the situation, setting the stage for a fatal confrontation.

An ordinary lawyer is out to fight an extraordinary case! But can he win against a powerful godman accused of assaulting a minor and deliver justice to the victim?

The events revolve around the suffering of a father (Eyad Nassar) who is exposed to an assassination attempt and goes through difficult moments when he loses his son.

Vittoria lives in the suburbs with her son Salvatore, a great fan of superheroes. Salvatore shape the harsh reality that surrounds him by imagining himself as the protagonist of the adventures of Astroman, the idol of his favorite web series.

While recovering from an abusive relationship, Joy joins her friend’s therapy group on an isolated mountainous retreat. Led by a doctor with experimental methods, the group is soon forced to confront a monstrous entity.

On Saturday May 26th, 1973 before 100,000 plus fans on the Great Lawn of Central Park in New York City, a generational talent singer-songwriter at the undeniable top of her game enjoyed a humbling homecoming a mere 14 miles from the house in Brooklyn where she grew up. The historic event highlighted the earth-moving power she’d unleashed with her watershed Tapestry (already being touted as one of the highest selling albums in history a mere two years after its release), all the way through her soon-to-be released song-cycle album Fantasy, (her fourth consecutive Lou Adler-produced album to land in Billboard’s Top Ten), Carole King’s performance that day was, according to Jack Nicholson, one of only two current events “proper” to be seen at in public.

The film spans from Hepburn’s early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents’ divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany’s.

A few of the former Greek Gods, living among us in normal society without any powers left, are forced into group therapy together in order to continue receiving their welfare money.